Monday, November 18, 2024

RETURNING TO CLASSICAL EDUCATION

Looking back on my own education, I can point to one elective choice that furthered my grasp of all other subjects and helped me achieve all my goals:  the study of Latin.

Today it often seems that the study and acquisition of hard knowledge, factually based, has taken a back seat to contemporary concerns and the politics of managing schools. Although many decry the loss of critical thinking in our population, it is arguable that proficiency is unattainable without a sound bedrock of knowledge. Latin forces us to not only learn the grammar of a foreign language and how English is directly impacted, but Latin impels us to delve deeper into history, philosophy, geography, literature, political science, art and architecture. Latin is also part of our shared heritage as human beings. For better or worse, those who spoke Latin left their mark on every settled continent.

Commentator Micah Meadowcroft, writing on the Thomas D. Klingenstein website, has spoken eloquently of the importance of classical education. His articles are well worth reading (a recent one linked below). He notes that classical education, which certainly would include exposure to Latin, promotes intellectual development rather than simply a mass leveling off of the population. Ironically, classical education could promote individualism by making individuals aware of the common ground from which we all spring. 

Thankfully, the movement toward classical education is growing. Schools are springing up around the country; here in St. Louis, the Classical Lafayette Academy in just a few short years has established itself as a potent force in the region. This movement is not for the select few; it is for all of us.



Tuesday, November 12, 2024

The music of our lives...

CAN MUSIC BRING US TOGETHER?

Although I remain a cynic, the performance of a German masterpiece linked below, performed by Israeli conductor Daniel Barenboim, German opera singer Waltraud Meier, an orchestra comprised of Israeli and Middle Eastern musicians and named after the work of German poet Johann Wolfgang von Goethe, co-founded by Barenboim and Edward Said, a Palestinian, is mesmerizing. The music is not about race or culture, but about life. I'm sure Wagner would be touched by hearing this, and I hold out hope that maybe a few terrorists would find a shred of humanity in themselves.

Richard Wagner's opera Tristan und Isolde is a remarkable tale of unbridled and irresistible passion. The closing aria, know as the "Liebestod", or Love Death--against the composer's wishes, who desired it be called "Verklaerung", or Transfiguration--is one of the most famous moments in operatic literature, sung by the heroine Isolde as she realizes that she and her lover Tristan can only be united by passing through the door of death--or rather, as Wagner would have it, the door to transfiguration.

The West-Eastern Divan Orchestra was established in 1999 and is based in Seville, Spain. Its members come from Israel, Spain and the Middle East. The renowned pianist Martha Argerich has partnered with Daniel Barenboim many times and was named an honorary member of the orchestra in 2015. The orchestra draws its name from a collection (divan) of poems by the great German poet Goethe, inspired by his reading of works by the Persian poet Hafez. The formation of the orchestra stemmed from the friendship of Daniel Barenboim, a Jew, and Edward Said, a Palestinian. Today, the Barenboim-Said Akademie in Berlin sponsors music students from Israel and the Middle East.

It is sad to contemplate that on October 6, 2023, Gaza and Israel existed in (relative) peace. The next day shattered that illusion. Peace cannot be achieved until the hostages are released.

https://www.youtube.com/watch?v=wu02skyFCyI